Christina Maranci: The Architectonics of History

Christina Maranci is one of the world’ foremost scholars of Armenian sacred art. She has played an inestimable role in the display and understanding of the arts of the Armenian church — which dates back to the fourth century. She and Peter discuss the sacred arts, how these can properly be displayed in a museum, how churches become consecrated, and a host of other great things.

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Gaelan GilbertComment
Gavin Bryars: Making Music Other

Gavin Bryars is one of the leading experimental composers of his generation. Among his diverse and prodigious repertoire, his best known work remains the process compositiion Jesus’ Blood Never Failed Me Yet, a stirring work of cumulative power. We talk about this and all his work, and whether the word “spiritual” may be applicable.

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Gaelan GilbertComment
Gary Vikan: The Curation of Sacred Art

Gary Vikan is one of the most renowned figures among art historians as well as in the world of museum curation. His bold, exciting, but also sensitively conceived exhibits of Byzantine art are among his great achievements during his storied tenure at the Walters Museum. He’s also a great friend of our work at the Institute of Sacred Arts.

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Gaelan GilbertComment
James Jordan: The Musician's Spirit

James Jordan: The Musician’s Spirit. One of the most influential, innovative, and inspired choral conductors and educators in the world, James Jordan has so much to tell us about the sacred relationship between conductor and singer, and more than that: about the human being with the other.

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Shawn "Thunder" Wallace: Amazing Grace in Every Place

Shawn Wallace is many things - a master of the jazz idiom, a pedagogue, a social commentator, and a man of deep faith. Finding himself an Orthodox Christian, he has brought the rich and beautiful musical legacy of black gospel music with him, showing us all how big the tent can be. We talk about that project, and learn much about his origin story - including the origin of “Thunder.”

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